2. How did John and Sean tune? I'm guessing either DADGAD or open D, but I've always been curious.
3. Curiously, did you guys consciously mix harmonic sources when writing (i.e. a seeking out of a major scale melody and diatonic chords to follow a bluesy riff [m pentatonic scale, bIII or bVII chords, etc.]) to create a noticeable mode shift or was it more arbitrary than that (i.e. "make this chord on the fourth fret. It sounds cool.")?
I'm sorry for the guitar-geek questions. It isn't often that I find a forum where I can actually ask specific questions to some of my favorite musicians.
-Josh
